Richard Kamerman - 'CHANGES. txt'
limited edition taiyo yuden full size cd mounted on art card
Richard Kamerman - 3 (mp3 extract) by JezrileyFrench
focusing on the acoustic material offered up in one room, this recording session captures a spirit of creative field recording & focused interaction with the contained sounds and objects.
review by Brian Olewnick / Just Outide website:
I do enjoy me some obsessiveness on the part of musicians. I've almost invariably found a lot to like in Kamerman's music over the past few years, both live and on disc, including his propensity to not be pigeonholed so it's a special pleasure to hear these four variations on a fairly tightly controlled theme, recorded just over two months ago.
There are only three or four elements in play throughout, arrayed similarly on each track, with minor but crucial differences: a very low, cottony rumble, a medium range, large-grained static spray that's iterated in a regular, slow pulse, a high, keening series of tones and a mid-range kind of buzz that reminds me of the tail end of a Jew's harp twang.
The general effect might be said to be of a bleak industrial soundscape but an essential difference occurred to me while listening: most such examples, at heart, sound as though they're constructed, contain gestures, if you will, that bear the stamp of the musician involved. Kamerman has, to my ears, managed to remove himself to a large degree, to have created something that really sounds as though it could be a found recording of a marvelous, empty, throbbing, sputtering space. No mean feat. The static may come in one burst here, two there, the high-pitched whine varied within itself and as to when or how often it appears.
Only the last, brief (two minute) track, suitably titled, "in which I let go", shifts gears, a series of random knocks and bumps, almost as though the power has been turned off and the pipes begin to clank as their temperature subsides.
Excellent recording, do give a listen.
review by Richard Pinnell (the watchful ear):